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For a
Bust of Erik Satie: A Short Mass
|
year |
1979
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duration |
20 minutes
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instrumentation |
Soprano, contralto (or mezzo), narrator(s), flute,
bassoon, trumpet, trombone, cello, and double bass
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text |
Georges Guy (Harry Mathews, trans.)
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commission |
Harry Matthews
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première |
May 11, 1979, Bennington College, Bennington, Vermont;
Judith Bettina, soprano, Lohanna Albrecht, mezzo-soprano,
Georges Guy, Leroy Logan and Harry Mathes, narrators, Sue
Ann Kahn, flute, Maurice Pachman, bassoon, Douglas
Hedwig, trumpet, Bruce Bonvissuto, trombone, Michael
Finckel, cello, Dean Crandall, double bass, and Vivian
Fine, conductor
|
sections |
Introit, Psalm, Collect, Gradual, Tract, Sequence,
Gospel, and Secret.
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program
notes |
Harry Mathews,
a professor in the French department at Bennington,
wanted to do an interdisciplinary production that would
be part of the celebration for a new art building at the
college. Mathews translated text by Georges Guy
concerning Erik Satie, which Fine set as Mass
for soprano, contralto (or mezzo), narrator(s), flute,
bassoon, trumpet, trombone, cello, and double
bass….Three narrators from the drama department,
who, according to Fine, were over six feet tall,
delivered most of the text, sometimes in English,
sometimes in French, and often in translation. The
Mass begins with the following solo narration:
“Since most of what follows is doggerel, and
unrhymed doggerel at that, its performance should be kept
within the bounds of a not unpleasant monotony,
highlighted occasionally with touches of greater
melancholy. A note of seriousness imbued with piety would
also be appropriate.”
Fine’s music captures
the spirit of the text perfectly. She wrote simple
syllabic melodies accompanied by a one- or two-part
instrumental counterpoint, and purely ensemble sections
often repeat previously heard vocal lines. The
“Collect,” which is spoken by two narrators,
ends with the following: “Deliver not thy servant
Erik unto the power of Paris Opera houses, but may all
Thy holy angels receive him into the Metropolitan Art
church of Jesus, the leader he so longed to
find.”
–Heidi Von Gunden,
The Music of Vivian Fine, Scarecrow Press,
1999
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